
From the inside cover of an abecedar.

From the inside of a story book- it looks awfully competitive for "communism".

An ode to "The Party" and its metaphysical gifts.

From the inside cover of an abecedar.

From the inside of a story book- it looks awfully competitive for "communism".

An ode to "The Party" and its metaphysical gifts.
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Requiem in a Classical Style
For those who died in Bucharest, December 1989
by Magda Carneci
1.
With a drop of blood, innocent bright liquid,
could a putrid, slumbering sea of marrow be purified?
Could only one body, mine, inscribed crosswise upon you,
cure your sickness, o homeland?
And a thousand bodies, young boys, young girls,
thrown into the starry vault of your mouth, your greedy belly,
your bloated memory, could they satisfy your hunger?
Let me be the solitary seed for a redemptive and young matter,
Let me become the flowering field for an unknown, invincible plant,
Would that we were myriad of unconsumed pyres to light your darkness?
Could a shower of love, a downpour, save a land?
A cataract, a flood, a billowing sea of blood?
Could your corpse be reanimated by a sea of blood?
3.
Should I be the one to defy you, to accuse, to curse,
the first to cast the stone at your face, in reproach and hatred?
Should I be the one to crucify you one more time-
you, so often cut and wounded, stoned, nailed up, disfigured?
Should I set fire to your ever multiplied, ever burning pyre?
to this famished destiny that devours you, should I add a blasphemy,
Never to be satisfied with hunting you, through all eternity?
If I do not burn together with you, then it would be in vain
for the tormented light of your body to illuminate the dark.
If I do not crucify myself with you, mocked and martyred within you,
then your endless sacrifice would be in vain.
If I do not love you, then it is myself I do not love.
Alienated and festering, I would vanish into the corrupt world.
If we do not love each other, who or what could bring this sad land
back from the dead, this blood, these bitter words?
6.
Come once more, vast suffering woman, unconsoled,
follow in the wake of your martyrs, young girls, young boys,
those who have not yet become weary, who have not fallen asleep,
who have not run away, and who will never forget anything.
Come, o homeland, before your dead and your living,
to bathe yourself in the clean dust of their feet,
to purify yourself in their endless suffering.
You will be created anew. In each of us. You will be forgiven once more.
Reborn. A virgin. How many times? Again and again.
Ocean of old marrow, chaotic magma, greedy ravenous mud
spread everywhere, through hamlets and recesses, fields and towns,
You will engulf us, you will again swallow us into you-
luminous tide of blood, loving lava of fire,
your powerful current will wash us into the final delta of our silence:
where out of eternity
new worlds
new worlds
unborn children
and your Ideal Form
dreamed once again
are forged
for all Eternity.
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Grafitti somewhere on a wall in Bucuresti, October 2011.
Deconstruction is not a theory that simply applies, deconstruction is, I consider deconstruction, what happens, is what happens.
So, you don`t have to, let`s say, rhetorically and dangerously speak of deconstruction when something is destroyed.......
The fact that in some of the works there is no frame, does not mean there is no frame: there is a frame that is not simply circumscribing the work, but which is constituted by the very form so that, we know where to remove the work.
It wouldn`t be any work of art without a frame, especially where there is a market. If you want to identify a work of art and put it on a wall in a gallery or to sell it on the market, you have to have a frame.
There would be no field of art, no history of art, no discourse on art, and no market without a frame.
And then there are artists that attempt to remove, to destroy or to deconstruct if you want, to question the very existence, the very effect of the frame, but then, they have to disappear as artists producing works of art.
The idea of art cannot be, let`s say, constituted or dealth with without some frame.
Excerpted from "Deconstruction Is What Happens: An Open Discussion with Jacques Derrida"
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Jean Negulesco (or Ion Negulescu, but not to be confused with Ion Negulescu) was born in 1900 in Craiova in southern Romania. In Paris, as a young man he was a friend of Constantin Brancusi and other members of the artsy crowd in Montparnasse and Montmartre. In fact, his artistic career did not begin in cinema. According to the stellar deep space daguerrotype:
Because once you've directed films in Hollywood all other claims to posterity become secondary, Romanian-born Jean Negulesco is best known for his work as a screenwriter, production designer & director, even though he first came to America in 1929 for an exhibition of his paintings. Before giving himself over to the business of show, he was first & foremost a painter & designer. His marker sketches bear a striking resemblance to those of Cocteau and, of course, Picasso from the same period, but like most artists who are trained as designers, he was able to astutely mimic almost any modernist style.
Though he began his career in Paris as a painter and scenic designer, taught by his fellow Romanian Brancusi and friendly with Modigliani, the Parisian market did not absorb his work. When he left for the United States to exhibit his work in New York, he was asked to prepare some drawings for the rape scene in The Story of Temple Drake (1933), based on William Faulkner's harrowing book, Sanctuary.
Negulesco found that he had to depict the scene in discreet visual terms so that it could be passed by the censor. The producer of the film, Benjamin Glazer, liked the result so much that he made Negulesco his assistant, enabling him to gain experience in almost all aspects of movie-making. His work as second-unit director at Paramount and then at Universal brought him to the attention of Gordon Illingworth, producer of short subjects at Warner Bros, who put him in charge of those with pretensions to art. The rest is history.

A sample of Negulesco's drawing.

Director and Painter Jean Negulesco ponders his sketches of Claudette Colbert, star of his Three Came Home (1950).
In 1927, he moved to the United States and began his movie career as a sketch artist for Paramount Pictures, where he designed the opening montage for the musical Tonight We Sing. In 1944, he directed his first successful movie, The Mask of Dimitrios, based on a story by Eric Ambler.
Among his successful movies were The Conspirators (1944), Three Strangers (1946), Johnny Belinda, with Jane Wyman (1948), The Mudlark (1950), How to marry a millionaire, starring Marilyn Monroe, Titanic (1953), Three Coins in the Fountain (1954), Daddy Long Legs, with Fred Astaire and Leslie Caron (1956).
Negulesco was famous for his directing style, represented by images taken from unusual angles and the use of shadows and silhouettes. He was the first to use the cinemascope technique in movies like How to marry a millionaire or Daddy Long Legs. He made the first movie about an aircraft accident and the first one about the tragedy of war prisoners during World War II.


In 1948, he directed Johnny Belinda, a drama about the rape of a deaf-mute girl and the scandal triggered by her resulting pregnancy. The movie was a success; Negulesco was nominated for an Academy Award for best director (he lost to John Huston), and Jane Wyman won the Oscar for best actor.
Negulesco worked with Hollywood’s biggest stars including Fred Astaire, Lauren Bacall, Betty Grable, Marilyn Monroe, Richard Burton, Lana Turner, Irene Dunne, and Sophia Lauren.
His 1954 movie Three Coins in a Fountain won two Academy Awards for cinematography and for the title song and was nominated for an Oscar for best picture. In 1955, Negulesco received a BAFTA Award for Best Film for How to Marry a Millionaire. His 1959 movie, The Best of Everything, was on Entertainment Weekly’s “Top 50 Cult Films of All-Time” list. In 1970s, he retired from film making and moved to Spain.

Perhaps he painted this during his time in Spain...
In 1985, he published his autobiography entitled Things I Did and Things I Think I Did. Negulesco died in Marbella, Spain in 1993 at the age of 93 leaving behind 72 movies. He is remembered as a key contributor to the film noir genre.
More to explore:
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This photo was taken from a Maria Tanase photoset on flickr.
You can listen to her spectacular voice in Lume, Lume above. She is almost sacred to me.
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Photographer David Ellicson spent time in Timisoara for a few days documenting the critical work of Generatie Tanara for their American partner Not For Sale. Both nonprofits help Romanian victims of human trafficking. Generate Tanara runs a home in Timisoara where women can stay as long as they need to in a loving and supportive environment.

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Around 100 Csango people, members of a Hungarian ethnographic group living mostly in Moldavia, Romania, swore their oaths of allegiance to become Hungarian citizens in the Buda castle on Tuesday, as part of the celebrations commemorating the 163rd anniversary of the 1848-49 revolution and war of independence from Habsburg rule.
First district Mayor Tamas Gabor Nagy, of the ruling Fidesz-Christian Democratic alliance, said this was a historic moment for the Csango Hungarians. By taking up Hungarian citizenship, their century-long exclusion comes to an end, he added.
After the nearly 100 Csango people took their oaths, a Csango cultural festival started in the castle quarter.
[Source.]
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An old Cyrillic inscription displays reverence for Basarb dynasty ruling in Wallachia.
A little essay on the Cioran Centennial (I'll reserve a post for this next week).
In 2008, the first foreign language edition of the New York Times Book Review was launched in Romania. Of course, Americans who did not know about Romania's vibrant literary scene were surprised. In a condescending way. I wonder how effectively the Review is competing with the amazing Cultural Observer, which I would like to see on the newsstands in the USA.
The decline in Romanian billionaires.
Why didn't we hear more about Romania winning the 2010 World Cup in handball? Is ping pong next on the table?
Questions over property rights in the Danube Delta.
[Photo credit goes to abejorro's flickerstream for depicting the Czech village of Svata Helena in Romania.]
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An unflattering picture of Romanian politics emerges from this article in The Economist. An excerpt:
IT LOOKED like April Fool's Day. On Tuesday lawmakers from Romania's ruling Democratic Liberal Party (PDL), including ministers, voted to slash VAT on food and eliminate income tax on pensions worth less than €500. It seemed an odd thing to do, given that the government had raised VAT to its current level only a few months earlier, as part of a deal with the IMF.
Oops. It was an "error", said the finance minister. The MPs had actually thought they were voting to scrap the two proposals. The PDL is now hoping that the president will not sign the bill into law, and is fast-tracking a new draft to "correct" the mistake. The government may also adopt an "emergency ordinance" to fix the problem.
But this latest blunder fits into a weary tradition of dysfunctional policy-making in Romania, where laws often appear to be drafted minutes before parliamentary votes with little thought to long-term strategy or financial impact.
A review of the Romanian government's structures drafted by the World Bank and seen by The Economist speaks of a "prevalence of ad-hoc decision making" and slams the "frequent use" of emergency ordinances that override approved parliamentary laws. Despite plans announced five years ago to measure results against plans, nothing of the sort has taken place, the document reads. There is also no prioritising of policies and "laws are commonly approved without adequate funding."
The review issues a series of recommendations on how to improve national decision-making. Such proposals are nothing new, says Alina Mungiu-Pippidi from the Hertie School of governance in Berlin.
"In the last decade, Romania received a lot of advice, technical assistance and funding to improve its policy formulation and implementation capacity", she says. "Romania's quality of governance might not have induced the 2009-2010 crisis, but it does seem increasingly that it contributed to its severity and duration."
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From the very beginning the term industrial archaeology was applied to the physical remains of the Industrial Revolution, although there was, and continues to be, a recognition that the industrial archaeology of the manufacturing process applies as much to neolithic stone axe quarries as to steam engine production. The early decades of the discipline were spent arguing as to which of these two intellectual strands would predominate. However, the decline of many of the classic 18th and 19th century industries in mid-20th century, and the growing recognition of the historic value of textile mills, iron works, and transport networks, led to a general acceptance that industrial archaeology meant the archaeology of the industrial revolution. (Source: Association for Industrial Archaeology)
Arheologie Industriala - Industrial Archaeology, the rusty remnants of communism.
Industrial Archaeology in Banatul Montan
The Virtual Museum of Industrial Archaeology
The International Committee for the Conservation of Industrial Heritage
"The role of industrial archaeology in conservation: The Resita area of the Romanian Carpathians", Nicolae Hillinger, Martin Olaru and David Turnock (GEO Journal Volume 55, Numbers 2-4, 607-630)
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So maybe a helicopter crash is a little louder than a whisper. But the continuing whispers proved intriguing enough that I've taken to reading the Armenian exiles' newspaper articles to learn more about Romanian military alliances.
Romania, which after the end of the Cold War “changed sides” and joined NATO in recent years, has become one of the staunchest supporters of the United States in the alliance and enjoys very good political ties with Israel. Romania earlier this year made it clear that it actively wanted to join a U.S.-led collective missile defense system to counter potential missile threats from Iran.
The Israeli-Romanian military cooperation inadvertently became public when an Israeli heavy-lift military helicopter crashed in Romania’s Carpathian Mountains area in late July. Several Israeli soldiers were killed in the incident.
The helicopter, which probably crashed due to bad weather conditions, was a U.S.-made CH-53 Sea Stallion, called the Yasour by the Israelis. “One might wonder why an Israeli helicopter was in Romania in the first place. The answer is that every long-range Israeli Air Force operation today, wherever it may take place in the world, including in Israel, takes into consideration ‘third-sphere threats’ like Iran, which are far from Israel,” the Jerusalem Post, a top Israeli newspaper, said in an analysis published just after the July 26 accident.
“The Yasour helicopters in Romania this week, for example, flew nonstop from Israel and received midair refueling over Greece, something they do not get to do every day. That is why these training exercises are so important,” the Jerusalem Post said. “Israeli airspace is limited and flying in places like Romania, with lots of open spaces, also gives Israeli pilots the ability to train in new and unfamiliar terrain, especially mountainous areas similar to those in Lebanon.”
The Jerusalem Post also offered the explanations provided by Israeli officials at a memorial event:
Nehushtan said that Israeli airspace was relatively narrow, and expressed gratitude to those countries that opened their skies to Israeli planes. He was particularly appreciative of Romania, which had not only opened its skies, but also enabled Israeli air crews to undergo training exercises in Romanian airspace for several years. These exercises contributed to an ever-developing friendship between the two countries, added the IAF chief, and he noted the grief expressed by the Romanians following the crash.
A "friendship with benefits", as one might say here in the States.
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Mugur Isarescu, the governor of the National Bank of Romania, has been quite vocal in his views lately. His vociferousness, on several occasions, is worthy of quotation:
"The Central Bank has to control market liquidity depending on the instruments at its disposal, playing a vital role in this sense. Technically speaking all those that keep commenting BNR actions based on exchange rate evolution alone are making a mistake. The National Bank is doing a good job; it manages to maintain the macro-level balance through liquidity control. The exchange rate is almost an obsession for Romanians and the mass-media is more or less doing its job but the public debate remains superficial." [Source]
Victor Lupu warned us earlier this year about the possibility of Isarescu's warnings being more than just political small-talk. If Isarescu's warnings turn out to be on target, then Lupu's warnings follow suit. I enjoy Victor Lupu's column- he is a sharp thinker at a time when sharpness has been reserved for fashion.
"I do not believe that after the ongoing agreement is over Romania will still need another financial agreement with the IMF, because the IMF funding is for consolidating international reserves and boosting credibility abroad." {Source]
“Currently we are still in recession. But mixing up the recession with the crisis causes much trouble. Many of the above-mentioned solutions for getting out of the crisis make us go deeper into the crisis. We want to impart the public opinion this major idea: if we want to get out of the crisis by doing everything that was made in previous years and what made us encounter this difficulty means that we have learnt nothing. The solutions that have been suggested seem good in the short run. The trap of populism is threatening us, it is almost prevalent in the present-day public discourse and is exactly the road to hell equipped with good intentions.” [Source]
He's right about the road to hell.
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Technorati Tags: isarescu, populism, quotes, romania national bank
Valentin Mandache on adobe townhouses in southeastern Romania.
The Fiterman family takes a corner in the healthcare market.
H & M comes to Romania. I predict droves.
A flooded street in Braila and a conspicuous lack of press for Danube floods this year. Pars de cours?
Miss World Romania 2010 can't muster up a flattering dress?
The Interior Minister is getting antsy about "unauthorized protests".
Romanian folk art and folk treasures travel to San Diego.
“Romania is safer than the majority of European countries. A foreigner can easily live in Bucharest or any other city, without problems. Many criminals “work” abroad, because they find it easier to do their activities there and more profitable too. Plus, with all the good and bad things that it might have, Romanian police maintains a feeling of safety for people. I feel very comfortable living in Bucharest”. Sounding a tad defensive there, Ilia?
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The latest Romania Oil & Gas Report from BMI forecasts that the country will account for 3.79% of Central and Eastern European (CEE) regional oil demand by 2014, while providing just 0.53% of supply. What a pity. You'd think Romania had enough oil to be self-sufficient. I wonder what regulatory or political stumbling blocks are preventing this oil from being drilled.
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Dana's photos of a rainy day in the Maramures mountains also deserve your attention. And nostalgia.
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The last time I spoke to Bobita, this past June, was pleasant. He agreed to answer questions for an interview to be published on this website. Things were going well. He preferred not to be called "Bobita" anymore-- Virgil wore better. He seemed at the top of his world.
The last time I saw Bobita, I was at the bottom of mine. And he was still Bobita.
I was in Europe, savoring the days lived from a backpack. After spending a summer in Krakow, my cousin whisked me back to Romania on a long, beautiful, broken train ride. Once in Bucuresti, there was little to stop me from exploring the dark alleyways and haunted crannies of Romanian life. It was the early 2000s; every moment milked for its vitality and generosity.
My cousin and a few of his friends threw an all-night party at a Bucharest apartment-- a party which mixed poetry, wine, tuica, Aristotle, Cioran, and Marilyn Manson (the latter would not have been Bobita's choice for music). Among the ten of us laughing and arguing was included the gentle presence of Bobita. When he spoke to you, there was nothing else more ravishing than the sounds coming from your mouth. As in his poems, Bobita's words came slowly and softly, yet so powerfully one couldn't help but marvel. I remember being impressed by his talent, his interest, and the scent of angels than seemed to surround him.Speaking to my aunt in Bucuresti yesterday, our Skye connection fuzzed by storms, she told me that "Busnadms" (covered by storm fuzz) had taken his own life. I knew before she repeated it that she was talking about Bobita. There were no more angels in the room, the light wove its own texture.
Constantin Vigril Banescu was 27 years old when he took his own life. Or rather, he took what was left of his life after the medications treating his alleged schizophrenia made peace with the difference. In those 27 years, Bobita emerged as an exceptional talent, winning the coveted Prize of the Bucharest Young Writers Association and the international Hubert Borda Prize for Young Poets. He had a 4-year-old daughter from a previous marriage. And when he read his poems aloud, every single word was a song. But in the last few months of his life, Virgil seemed to lose his voice.My worst disease is the fact that I am still alive.
So read the note found by his mother in the room with empty pill bottles and a body empty of Bobita. Family and friends knew he was depressed, but everyone hoped the medicines would work. In a blog conversation early this summer, Bobita told Mugur that he couldn't sleep and he "didn't see a sense to life anymore", though he admitted that he would like to "escape to a hospital where he could read and write". Even as Bobita's taste for life diminished, his desire to put his words on paper did not.
Mugur Grosu suggests this may have been Bobita's last poem. My translation, of course, has that heartless aftertaste that translations tend to spread like a virus, but I wanted to share it. Somehow. To convey the place he left as he saw it-- heavy, tiresome, and thick with dread.
sufletul meu se odihneşte My soul is resting
văd un copac înalt strălucitor I see a tall, sparkling tree
înfăşurat în toate culorile Wrapped in a rainbow of colors
apoi o fântână mică Then a small fountain
din care se ridică From which there rises
odată cu fiecare trecere puternică a vântului With every powerful passing of the wind
un bulgăraş de apă A tiny lump of water
cerul s-a desfăcut The sky has opened
dintr-odată mai e atît de puţin Suddenly there is so little
până mă voi trezi Before my waking
şi iarăşi voi ieşi de sub pleoape And again I will emerge from underneath eyelids
ca să mă îndur pe mine Only to endure myself
printre măştile realu Among the masks of the real.
Before I finally got around to sending those interview questions, Bobita (or Virgil) finally renounced his masks. May his soul find the sleep he sought. His touch will be missed.
A link tribute to Bobita plus a video in which he reads in May 2009 at the Writer's Union meeting:
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Technorati Tags: bobita, constantin virgil banescu, death, poets, romanian
At the time, the field of "Soviet Studies" still focused on analysis of formal government institutions under communist regimes, including the COMECON. Content analysis of party documents was all the rage. Professor Ghita ameliorated the study of communist regimes by introducing the test posed by opposition and its role in the evaluation and popular legitimacy of a political regime.
Certainly his association with Radio Free Europe played a role in his interest in the social phenomenon of political dissidence. In fact, Radio Free Europe would have been a pointless endeavor without the assumption that popular legitimacy remained critical to a communist regime's long-term hold on political power.
In fact, Ionescu believed that popular movements, as opposed to internal government reform, would eventually bring an end to the communist regimes in Eastern Europe.
More links, information, and works influenced by Professor Ghita Ionescu:
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Technorati Tags: communist studies, ghita ionescu, history, romania

Out of Harm's Way in Romania, originally uploaded by UNHCR.
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Technorati Tags: emergency transit center, refugees, timisoara, unhcr
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From Romania to Austria
Celan's parents were killed in the Holocaust; he escaped death by working in a Nazi labor camp. When he realized that the communists were going to take power in Romania, surrealist poet, translator, lecturer, and essayist Paul Celan fled Romania for Austria. There he fell into German literary circles and began a love affair with Ingeborg Bachmann.
Love Gets Lukewarm
The affair was neither sordid nor spacious enough to last. Though Celan chased ghosts, fancies, and implausibles around Nazi-wasted Europe, his love life never met the aesthetically-jaunty standards of surrealism. In fact, it seems he was quite the realist, knowing Bachmann's feelings dwarfed his own. How Bachmann reconciled her love for Celan with her philosophical crush on Martin Heidegger remains baffling.
Ina Hartwig writes about the newly-published correspondence between Celan and his short-time lover:
"Glorious news" the 21-year old Ingeborg Bachmann writes in a letter to her parents, the "surrealist poet" Paul Celan has fallen in love with her. It is May 1948, Vienna. The 27-year-old Celan, whose parents, Leo and Friederike Antschel, died in a German concentration camp in Ukraine, had fled just a few months earlier from Bucharest, via Budapest, to Vienna. Bachmann, the daughter of a teacher and a former member of the Nazi party, is writing her PhD on Heidegger. Celan, of all people, will write in a letter to Bachmann several years later, that Heidegger's choking on his own mistakes is more agreeable to him than the solid Federal German conscience of someone like Heinrich Böll.
The correspondence opens with Celan's poem "In Egypt", which he sends to his beloved, with the dedication "to one who is painfully precise", on her 22nd birthday. It contains a motif, so tantalising and uncomfortable, that it foreshadows the conflicts to come: "Adorn the stranger beside you most beautifully./ Adorn her with the pain for Ruth, for Mirjam and Noemie". This motif of "adorning pain" - the pain of the Jewesses adorns the Gentile - is close to the bone, and yet it constitutes something akin to the constitution of the love between the Austrian philosophy student, who stands before a precipitous career as a poet, and the stateless Jew from Czernowitz in Galicia, whose most famous poem "Deathfugue" has already attracted attention in literary circles.
Like Hannah Arendt, Bachmann's early intellectual milieu revolved around the existential writings of Martin Heidegger. Later, she would abandon Heidegger's existentialism for Ludwig Wittgenstein's analytic, language-centered philosophy. In the interim, however, she would love a man which her intellect was trained to scorn. Though this book has not yet been translated for English or Romanian audiences, I'm holding out hope.
The last letters in the book were written by Celan's widow to Bachmann following Celan's suicide in 1970. Bachmann, herself, died under mysterious circumstances, suicide-speculating circumstances. Their love passed away before their bodies.
For the Hungry
"Celan" is actually an anagram of the Romanian spelling of his surname, Ancel. For more about Celan, Bachmann, and their tryst:
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Hissing snakes withdrew into underground forests:
Europe was a game
A cross
We carried in our scales.
Some speculate
That Europe is not dead
It still trades
And has recently raised
The price of uranium.
Its warships increase
In sophistication, and an angel
>From across the seas
Watches over her
As over an innocent, still unspoilt child.
Long ago
Someone said that Europe was a bloodbath
And even the stars,
Gazing at her tremulously,
Burn off
And grind into metal-gray dust.
Cannon-eyed metal wreaths rose
In her place.
As dargsmen, what would you know?
You have learned
To kiss and fondle the silicon.
I was told
Europe was a princess
And she became enamoured
Of a golden calf
She had met at a ball
(Just as a wave clings
To an oar)
And she wore her bridal gown
Hemmed about the restiveness of planets.
And everyone came to woo her
Offering her giant mother-of-pearls
Which later opened up
Like coffins.
She was sad, as if permeated
By the sorrow of autumn.
She was angry with Hitler, who wanted
To kidnap and conceal her under a rock
Of aversion.
She was Othello's disconsolate
Spouse; but one stormy night
She met a man who was to tell
All her misfortunes:
"Look, your gown is undone,
I think you're courting great danger;
Listen, don't try to make out
You're still a virginal bride;
Stop overacting - after all,
You're not a harlot
But a woman of prodigious elegance;
For you kings went barmy;
For you they die every day.
Stop deflecting
Or you may lose the moon
From the chignon of your hair."
There was a time
When Brahms saw her too. And Brancusi;
He loved her speechlessly
Offering her a Table of Silence
And sculpting her body
Into the raptures of the Endless Column.
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+ An ancestor's assistant named Romania.
+ The Italian ambassador is "forging new links between Romania and Italy".
+ Meanwhile, four young Romanians are arrested in Italy for robbery.
+ President Basescu says he supports Israel and Palestine as "separate states".
+ Over 3,000 Romanian Catholics protest the government's treatment in Bucharest.
+ Foreign currencies prove a profitable investment for the first half of 2009.
+ Mark Gitenstein is confirmed as the US ambassador to Romania.
+ Dr. James F. McGrath marvels over the rumor mills in Romania, while I marvel at his suggestions that Romania is a tribal society most akin to what one might find in North Africa. Granted, some Romanians put their stock in unusual and even silly beliefs, but more than half of Americans believed W. Bush bombed Iraq to save us from weapons of mass destruction. For even more silly, ridiculous American beliefs, take a little visit to the Fox News website.
+ CEOWorld has all the details on Nabucco, and the demise of Russia's energy monopoly.
+ Romania's car park renewal program, Rabla, offers opportunities for leasing and buying.
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Technorati Tags: ambassador, nabucco, rabla, romania, tribal, uniates
A panorama view of Mogosoaia Palace hovers around you.
The Romanian Ultras movement adds fire.
Victorelli takes a road trip to Sibiu.
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Ion Nuica, Romania's consul to the Republic of Moldova, resigned Monday, July 13, after a few Romanian Web sites posted a video clip showing him having sex with an unidentified woman. The film starts with the Romanian national anthem and the Romanian flag on screen. The words “This is how the Romanians want to have us, the way the Romanian consul Ion Nuica had an employee of the Consulate. Watch and gather if you want”. Then a photograph of Nuica is shown, followed by the sex scene. Here is a link to the video posted on ProTV, a Romanian private TV channel (warning: graphic scenes).
The Romanian Foreign Ministry's spokesman Alin Serbanescu confirmed Ion Nuica has resigned, according to Romanian Mediafax news agency. Serbanescu also said that Nuica was summoned to Bucharest last week from Moldova for other reasons that are not related to this sex scandal.
Nuica resigned on Monday, only hours after the Romanian Curentul daily online displayed photos and a very graphic video showing Nuica having sex with a woman believed to be from the Republic of Moldova suspected of being an employee at the Romanian consulate in Chisinau. The Curentul Web site said it received hidden video camera footage, but it had no idea who taped it.
Ion Nica had been Romania’s most senior diplomat in the neighboring country since the expulsion of the Romanian ambassador, Filip Teodorescu, from Moldova in April, following allegations of Romanian involvement in the violent protests on Aprl 7 in the Moldovan capital Chisinau.Curentul stated that the tape appears to be the work of Moldovan intelligence services.
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Unlike most Hollywood starlets, Romanians drink more beer than bottled water.
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Jon Lee Anderson replies to Christian Suciu on an error in his June 19th post on the “Iran’s Basij militias,” In Anderson's words now:
Christian Suciu wrote in to point out an error I had made in comparing the relationship between the Basij and its theocratic regime with “the one between Nicolae Ceausescu and the loyalist miners trucked in from the Romanian countryside to strong-arm pro-democracy protesters.” Suciu writes:
Actually, the events referred to (the “Mineriads”) happened in 1990 and 1991, by which time Ceausescu was dead and buried. Ion Iliescu was President of Romania at the time, and it was he who trucked in the miners.
Siciu is absolutely right. The miners had been loyal to the Ceausescu regime for many years, but it was Iliescu—a former senior party figure and erstwhile ally of Ceausescu’s—who succeeded him after his execution in 1989, and when there was pro-democracy ferment in the capital afterward, it was Iliescu who brought in the miners to break heads and quell things. At the time, Iliescu was facing accusations that he represented little more than a face-change of the ancient regime, i.e. “Ceausescuismo without the Ceausescus.”
As in present-day Iran, the protests that were ended violently by Romania’s miners (who used bats and clubs and killed up to a hundred people) had taken place just after an election; The Party man Iliescu had been sworn in as a caretaker president following Ceausescu’s execution in December 1989. In elections held in May 1990, Iliescu won eighty-five per cent of the vote. But pro-democracy demonstrators, including many students, protested what they saw a hijacking of power by the country’s ex-communists.
After the miners’ rampage, Iliescu thanked them for their “attitude of high civic conscience” and disparaged the demonstrators as “hooligans,” as part of a “right wing neo-fascist international conspiracy.” In announcing his own crackdown on pro-democracy protests in Tehran last Friday, the Supreme Leader Ayatollah Khamenei referred to the demonstrators as Iran’s “enemies” and as “espionage machines working for Zionists and the Americans,” who were determined to destroy Iran’s Islamic revolution.
Last week, coincidentally, a court in Bucharest cleared Iliescu of genocide charges in his responsibility for that crackdown and a bloodier, previous one that had immediately followed Ceausescu’s downfall, in which as many as twelve hundred civilians were killed by security forces—suggesting that repression often follows time-honored patterns, and that demands for accountability in such cases are not as easily met as one would hope.
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In Romania the willow tree reigns supreme. Before starting to build a house for his family, a villager will first put a little willow shoot in the ground; in no time it becomes a weeping willow embellishing the
entrance to his house. Willow trees surround water wells, providing shade around the water pump, the traditional village meeting place; they denote boundaries between individual peasant plots; they grow along the fast-flowing mountain streams and form closely knit clumps of greenery on the meadows. [Christine Sutherland, Enchantress: Marthe Bibesco and Her World]
The willow keeps its sacred spot in Romanian tradition and legend. Little willow rods are used to make traditional bouquets for New Year's wishes. The willow's evergreen rods are used to make bride coronets, believed to pass the regenerating power of nature to humans. The willow also saves the single moms.
In a tradition going back to pagan times, a village girl who becomes pregnant out of wedlock must undergo symbolic marriage to a willow tree. The village elders come and take her from her home, leading her to the riverbank, where they tie her to the trunk of a willow, whose branches symbolically cover her shame. After the requisite incantations, the pregnant girl is pronounced duly married. From then on, she will be allowed to walk with her head covered, like the other married women in the village. The willow tree thus exorcised her shame and dishonor.
Coincidentally, The Wind in the Willows (2006) was filmed in Romania. The photo, Salcie atingand lacul (the willow touching the lake), was taken by Maira.
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Constanţa, once known as Tomis, is the second largest and also the oldest living city in Romania, founded around 600 BC. The city is located in the Dobruja region of Romania, on the Black Sea coast, with a beach length of 13 km.
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An interesting post from an Iranian-Romanian community website:
Any protest meetings planned by the Iranian people in the city of Timisoara (RO, EU) which are also viewing this, please reply here the detalis (place, hour, date) or PM at YM id : hsqdw . I know the last rally was not allowed by the mayor's office, but lets hope they turn green too. God bless you all.
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Members of The Austin Film Society took their cameras to Transylvania this summer for an intensive collaborative film project workshop this summer. Romanian filmmaker Sergiu Lupse accompanied them on this daily filmmaking workshop for disadvantaged teens which aims to help them document their communities, their lives, and their original perspectives. The report from the first week of the workshop is back, and it seems the team has faced challenges in building trust with the local Transylvanian villagers.
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In October 2006, Horia Roman Patapievici moderated a roundtable on "Intellectuals and Socialism", which explored the attraction posed by socialist ideology to Western intellectuals and academics in the 20th century. Over one hundred invitees attended this event at the Institute for Romanian Culture, and the vitality of the discussion can be appreciated in the video below.
Why did the traditionally skeptical intellectual class find itself seduced by promises of government's power to work for that lovely abstraction otherwise known as the Common Good? Why do we assume that the state can provide better solutions to human problems than the marketplace of goods and ideas? What did the experience of communism teach us about the effectiveness of the state in working for the Common Good? Among other interesting explorations at this event: the relationship between culture and the state, the meaningfulness of left-right distinctions, the possibility of libertarianism as a credible alternative, the unspoken etatism of the EU, and more.... Don't take my word for it. See for yourself.
A word of thanks to my comrades at Liberalism.ro for keeping the fires burning.
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Phillipe Legrain doesn't believe that immigration is the cause of Europe's social and economic ills. In fact, Legrain makes the case that immigration, as experienced through globalization, might actually be a good thing. Currently working on a new book about the effects of globalization, Legrain will be examining the "risks to globalisation from the ongoing crisis (such as protectionism, nationalism and political extremism)" and try to find what needs to change in the global economy, as well as what doesn't need to change.
Take F.A. Hayek to heart on this one, and provide Legrain with a little local knowledge that he might not otherwise discover. In the meantime, I'll be scratching my own head for ideas.I'd be really grateful if you could suggest papers I should read, people I should talk to, and places I should visit. I'm particularly interested in hearing about people that the mainstream media often neglects. You may be able to point me to a small business in China whose exports have evaporated and whose migrant workers are going home, or to one that is prospering by taking on a new line of work. You may know Icelandic people who can relate how their lives have been turned upside down by the financial collapse. You may have connections to communities in Australia that until recently were booming by exporting to China, and drawing in lots of foreign workers as a result; how are they coping? You may know Mexicans who have gone home from the US, or Poles who have left the UK or Ireland, because of the recession. And amid all the gloom and despair, what new opportunities are emerging that could help build a better and fairer global economy? Or something else entirely. Please email me on mail AT philippelegrain DOT com I'll get back to you if I think there could be a fit. Thank you very much.
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Sharon Mesmer and her friends involved in the Best American Poetry are "run ragged" by the Romanian Writer's Union.
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According to a news report by the BBC, racism is en vogue again in Ireland:
More than 100 Romanian people forced to flee their homes in south Belfast have been moved to a leisure centre. The group of about 20 families spent Tuesday night in a church hall after a spate of racist attacks on their homes. Police have said they do not believe paramilitaries were involved in orchestrating the attacks. The attacks were condemned by Prime Minister Gordon Brown who said he hoped the authorities would take all action necessary to protect the families. Northern Ireland Deputy First Minister Martin McGuinness, who has met with the families, said the attacks were a "totally shameful episode". "We need a collective effort to face down this criminals in society who are quite clearly intent on preying on vulnerable women and children," he said. The police have met Belfast City Council and social services to discuss how best to care for those affected by the attacks. Most of the Romanian families, including one with a five-day-old girl, have been taken to the Ozone Leisure Centre in south Belfast, where they will spend the rest of the day. They said they do not want to return to their Belfast homes.
"This is a small number of people who are engaged in this violence. I understand this is cold comfort to the people affected by it." Bernie Kelly, from Belfast Health and Social Care Trust, said it had been a very traumatic experience for the Romanians. "The whole thing has escalated very quickly," she said. "Working with the police and all the agencies together we are going to have to find a resolution." There have been suspicions that a loyalist paramilitary group is involved in the violence, but this has been denied, our correspondent added.
One of the women who took shelter in the church, who did not want to be named, said she was very upset and scared. She said she had feared the attackers had come to kill her and her family, and she now wanted to go back to Romania. But the help of the church had shown a positive side to the people of Belfast as well, she added.
Anna Lo of the Alliance Party said the families were "very frightened". Ms Lo said attacks on Romanian homes - which included bricks being thrown through windows - had been increasing in frequency in recent months. "They are really very frightened," she said. "The women, when they were talking to me yesterday, they were really upset, tears in their eyes and said, 'You know we love it here, we'd like to live here, but we're too scared.' "A woman showed me her shoulder which was quite bruised and cut across, she was hit across the shoulder." Jolena Flett, Racial Harassment Adviser for the Northern Ireland Council for Ethnic Minorities, said they had been threatened verbally and then three properties were attacked on the same day. "There has been an issue about the families feeling unsafe in the properties they were attacked in. What we are trying to do is provide them with alternative accommodation," she said.
Belfast's lord mayor, Naomi Long, said the repeated attacks on the Roma families close to the university district had brought shame on the city.
This distinction is important because the Roma have long held the status of a persecuted minority in Europe. Remember that Hitler's first attempts at exterminating minorities included the Romany people. Ignorance about the crimes of history makes the crimes of the present seem less serious by depriving them of their disastrous context in the past. To report about crimes against "Romanians" when you mean crimes against "Roma" is ridiculous. Would the BBC have merely mentioned their Romanian-ness had the persecuted in question been Romanian Jews? Would it be too much to ask for some clear reporting on the situation in northern Ireland? Are those people who are being driven out of their homes Romanians, Romanian Roma, or a combination of both? The conversation can't really begin without an answer to this simple question.
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Romania's Petrom started building a power plant in Brazi to the tune of many Euros.
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This is an ongoing project. I welcome suggestions for new additions to this list.
about Romania as set in an imagination lit by noisy cafes covered in dusty books. Join the rabble by adding your own words (or the words of others) to this ongoing discourse set above the spans of time.
24fun
A Look At Romania & Romanians
A Scrie
Address It
Adevarul
Agerpress
Agonia.ro
Alex Galmeanu
Alianta Civica
Alpinet
Alpinism & Escalada in Romania
Alternativ
aLtidudini
American Romanian Academy
Apropo.ro
Apuseni Mountain Trails
Art Historia Blog
Arta Traditionala
Atelier 35
Bad or Good
Balkan Insight
Bancuri
BBC Romania Archive
Beze
Blog Cotidianul
Blogurile Tabu
Bogdan Turtoi's Photoblog
Bucharest Daily Colors
Bucharest Life
Burp
Bukres Blog
Bursa de Valori Bucuresti
Biblior
Blog Taranesc
Bucharest Business Week
Cabana Babele
Cabana Omu
CADI
Cadran Politic
Camera Deputatilor
Casa de Piatra
Catavencu
Catavencu Blog
Ceausescu.org
CEEOL
Central Europe Activ
Centre for Romanian Studies
CGAV
Cinabru
CISED
Cod Verde
Comunismul in Romania
Congress of Romanian Americans
Contemporary Romanian Writers
Corvinus Library
Cosmin Bumbut
Costume Traditionale
Cotidianul
Cronica Romana
Curentul
Curierul National
CyberTim's Timisoara Homepage
Dacia
Darnick's World
DeScripto
Diaspora Romanesca
Dictando
Dilema Veche
Dinu Lazar
East European Constitutional Review
East European Countryside
East European Folklife Center
East European Politics & Societies
East European Times
Editura Polirom
Eliznik
Ethnography & Folk Dictionary
Ethnophonie
Eurobalk
Europa Libera
Evenimentul Zilei
Expat Club Romania Blog
Exquisite Corpse
Feeder
Fernando's Hideaway
Fiction Blog
Finaciarul
Firme Veche
Folclor
Folk4Noi
Fotoblogs
Foto Fangen
Fototeca Comuninsmului Romanesc
Fratii Minovici Folk Art Museum
Fundatia Horia Rusu
Fundatia Romania Literara
Fundatia Soros Romania
Galleria Foto
Gallerya
Gardianul
Gheorghe Ursu Foundation
Globalizarea Blog
Great Romanian Personalities
Hoover Institute Romania Collection
HUMSEC
Icecevici
ICR London
Idei in Dialog
IFEX
IICCR
Inczeklara
Independent
Institute for Info on the Crimes of Communism
Institutul de Memorie Culturala
Iulian Tanase's Poemix
Jurnalul National
Kit Blog
La Pescuit
Liberalism.ro
Libertatea
Libraria Online Libertas
Librarie Tamada
Liternet
Local Customs
Loewak
Made in Romania
Magazin Historic
Maktaaq
Mamaliga
Mediafax
Memoria
Memorri Bizantine
Memorial Sighet
Memory of Nation
Mielu
Mihai Radu Solcan
Ministry of Foreign Affairs
Minorities in Central & Eastern Europe
Miron Ghiu-Caia
Mountain Guide
Muzeu Blog
Muzeul National al Literaturii Romane
Muzeul National Cotroceni
Muzeul National de Historie Naturala
Muzeul National Filatelic
Muzeul Satului
National Council for Study of Securitate Archives
National Geology Museum
National Institute of Statistics
National Museum of Romanian Art
National Museum of Romanian History
Nicolae's Blog
Nicolae Iorga Institute of History
Nine O'Clock
Nordic High
Observator Cultural
Observatorul Vizual
Oglinda Literara
Once Upon a Time in the Cinema
Orasul
Orasul Lui Bucur
Overheard in Bucharest
Parvan Archaeological Institute
Passe-Partout
Plural
PNTCD
Poezie
Populatii Historice Romanesti Astazi
Procesul Comunismului
Proza Romaneasca
PSR
Psst
Push the Button
Qvorum
Ratiu Family Foundation
REESWeb
Reporter Net
Revista 22
Revista Contrafort
Revista Martor
Romania Libera
Romania News Watch
Romania Post
RGN Press
Romania Road Ways Blog
Romania Simply Surprising
Romania Think Tank
Romanian Academic Society
Romania Thru Photos & Music
Romanian Cultural Centre London
Romanian Culture Institute
Romanian Fairy Tales
Romanian Government
Romanian Institute for Recent History
Romanian Jewish Community
Romanian Journal of European Affairs
Romanian Journal of Political Science
Romanian Royal Family
Romanian Survival Book
Romanian Village
Romanian Voice
Romerican
Russian & East European Institute
Sapinta
Sarah In Romania
saSHIMme
SEEREcon
Seven Times
SE European Politics Online
Sisters Magazine
Spaces of Identity
Stockholm Network
Suplimentul de Cultura
Tara Motilor
The Dacians
The Doina Foundation
Timpul
The Independent Group 4 Democracy
The Little Vlach Corner
The Museum of the Romanian Peasant
The Orthodox Church & Its Icons
The Patrin Web Journal
The Prodan Romanian Cultural Foundation
The Diplomat
The Poetry Shop
The Society for Romanian Studies
The View East
Tom's Place
Traditii
Transition Studies
Translations Observator Cultural
True Romania
UbuWeb
Urban Style
Vasile Grigore Museum
Victims of Communism Foundation
Victor Babes Museum
Ziare
Ziarul Financiar

